Introduction to Musical Preferences and Criticism

My musical tastes are likely broader than many others, possibly broader than the average casual listener. By broader, I mean that I've been exposed to a wider array and variety of music than those who only listen to it occasionally. It is not about whether my taste is better, but rather broader. Most people tend to enjoy what they are frequently exposed to, primarily the types of music that receive the most media coverage, what they are already familiar with, or what is currently trending. If the music is good, that is a bonus; however, much of it can be mediocre to poor, depending on what is currently marketable.

In the music industry, if something has the potential to sell, someone is willing to market it, whether it is good or not. When something sells well, it is possible to completely miss the music of the same quality if it is not heavily marketed. This illustrates the marketing-driven nature of the music business.

Music as a Personal Experience

Many people are unable to perceive music as a standalone art form; instead, they look to critics and media for validation about what they are listening to. Critics and media influencers often form a consensus about what constitutes good music, leading to much of the remaining music remaining in obscurity. A significant proportion of music enthusiasts lack the time or interest to explore the extensive and varied world of rock music or music in general. However, it is important to note that these critics and media are a self-arranging process, and their opinions might not be representative of the entire spectrum of music.

Finding True Value in Music

When a creative person gains praise and becomes popular, it indicates that their work resonated with a particular audience, but this does not necessarily imply mediocrity. Popularity is often sought after by those who are craving mainstream recognition and praise, but they may lack the ability to achieve it. The eagerness for such recognition can be off-putting.

There are countless niche artworks and performances that remain unknown to the broader public but are deeply appreciated by a small, dedicated fanbase. Both the creators and their audiences are content with this level of recognition, as the music holds intrinsic value and spiritual significance beyond mere popularity.

Conclusion

Music is not a product to be judged solely by its commercial success. The true value lies in the personal experience and the depth of connection it brings to listeners. As consumers of music, we should not rely on critics and media for validation but instead seek out and appreciate the unique value that different music offers, regardless of its recognition level.