Unpacking Shakespeare: Were His Plays Initially Lowbrow Entertainment for Common People?
The notion that Shakespeare's plays were originally lowbrow entertainment for common people is an intriguing but somewhat misleading one. While it is true that the plays appealed to a broad audience, Shakespeare's genius lay in his ability to blend highbrow literary elements with popular entertainment. Understanding this dynamic requires looking at the historical context and the nature of Renaissance theater.
Shakespeare for Common People
When Shakespeare's plays were first performed in the late 16th and early 17th centuries, they were indeed intended for a diverse audience. The Globe Theatre, where many of his works were staged, welcomed spectators from various social classes. Ticket prices reflected this inclusivity, making the plays accessible to a wide range of people.
There was no clear distinction between what was considered 'highbrow' and 'lowbrow' entertainment in the theater of that time. The audience was interactive and engaged, with various forms of entertainment occurring before and during the plays. The comedic elements and vivid performances were appreciated by commoners who could relate to the relatable characters and engaging plots. The lively performances and humorous gags were a significant part of the overall experience.
As one seasoned teacher might explain, a good Shakespearean lesson would include more than just the complex literary analysis; it would also delve into the "knob gags and sex references" that made the plays entertaining for all classes.
Shakespeare as Highbrow Art
While the plays were enjoyed by common people, they were not merely lowbrow entertainment. Some of Shakespeare's works were distinctly highbrow and intellectually stimulating. As a member of the King's Men, Shakespeare wrote and performed plays for the King, making his works an integral part of court culture.
Moreover, Shakespeare often included subtle critiques of the behavior of the monarchy and the aristocracy within his plays, making them more than just historical or mythological stories. Literary references and clever lines were thrown in to appeal to the educated class, adding a layer of depth to the plays.
The plays were crafted to cater to a wide spectrum of the audience, from the low comedy that appealed to the common people to the high philosophy that intrigued the educated and intellectual. Shakespeare’s aim was not merely to entertain but to educate and engage the entire audience, ensuring the theater remained full and vibrant.
Conclusion
In conclusion, Shakespeare's plays were neither solely lowbrow nor highbrow. They were crafted to appeal to a diverse audience, blending highbrow themes with popular entertainment elements. The plays represented both 'high art' and 'popular entertainment,' reflecting the diverse societal tastes and expectations of the time. Today, when studying Shakespeare in school, it is essential to appreciate the dual nature of his works: the humorous gags and sex references for the crowd as well as the literary depth and intellectual stimulation for the cultivated mind.