The Unfair Treatment of Jeongyeon and Momo in TWICE: An SEO-Optimized Analysis
When it comes to the TWICE girl group, some members are arguably more deserving of special attention due to perceived or actual unfair treatment. Two such members are Jeongyeon and Momo. In this analysis, we will delve into the reasons behind their perceived unfair treatment and discuss whether these instances are justified according to industry standards.
Jeongyeon: The Least Vocalist?
Jeongyeon is often criticized for not receiving enough opportunities to showcase her talents. One of the primary complaints is the limited vocal line distribution she gets in TWICE's performances.
The data shows that Jeongyeon's highest vocal line distribution is 32 seconds across the group's eras. To contextualize, her main vocalist counterpart, Jihyo, has a highest line distribution of over 100 seconds. This stark difference in vocal line distribution suggests a clear imbalance in opportunities for Jeanhome.
Furthermore, her outfits are often described as undesirable. Fans of TWICE have pointed out several outfits that they find to be of subpar quality, often portraying Jeongyeon in what some consider 'awful' or 'disgusting' attire. These criticisms highlight the visual and vocal discrepancies in how the group's members are treated.
Momo: The Debut Tragedy
Momo's journey to debut with the group is marked by a turbulent and challenging period. The story goes that Jeongyeon (originally in a different group) was brought back to debut with TWICE but then faced an extremely stringent condition for her debut. According to some accounts, she was required to lose 7kg in just one week, an almost impossible task that involved eating only one ice cube a day. Such a condition exemplifies a form of exploitation and the undue pressure placed on a young artist to conform to strict physical standards.
Even after this grueling period, her line distribution was far from what she deserved. While she is often portrayed as a main dancer, the lack of equal vocal opportunities is evident. The screenshot of Momo's line distribution shows a line distribution that is far below that of her main vocal counterparts. This is particularly troubling for a member who is technically part of the rap line.
Despite these challenges, Momo's era, "Signal," highlighted a moment of relative fairness and improvement. It was during this period that Momo achieved the highest line distribution with 25.5 seconds, which is more than what a sub-vocalist typically receives. However, this improvement was not representative of her overall experience with the group.
A Call for Fair Treatment
Both Jeongyeon and Momo deserve more fair treatment in terms of performance opportunities, access to quality costumes, and overall treatment within the group. These inconsistencies in their treatment are not only unfair but also harm their growth as performers and individuals.
The incident with Momo's debut condition is egregious and indicative of a broader issue within the entertainment industry. It is crucial that TWICE, as a leading and influential group, addresses these inequalities. Fans and industry experts alike demand a fairer and more equitable treatment of all members, ensuring that their contributions and talents are truly valued and appreciated.
If you have any thoughts on this analysis, or if you would like to share your personal experiences or opinions, feel free to comment below. Your feedback is vital in shaping a discourse that seeks to improve the treatment of artists like Jeongyeon and Momo.
Related Keywords: TWICE, Jeongyeon, Momo, Unfair Treatment