The Limelight and the Pitfalls: Unprofessional Behaviors FOH Engineers Dread
As a professional FOH (Front of House) audio engineer, I have faced an array of frustrating situations on the job. The following list highlights some of the behaviors from bands and performers that trigger the most annoyance among FOH engineers during live shows. Understanding these common pitfalls can help artists and their teams improve their on-stage conduct, ensuring a smoother and more enjoyable experience for everyone involved.
Common Behaviors FOH Engineers Dread
FOH engineers are the backbone of live performances. Their expertise ensures that the audio is clear, balanced, and spectacular to the audience. However, misbehavior from bands and performers can disrupt this delicate process. Here are some of the top behaviors that frustrate FOH engineers the most:
Late Arrival and Demanding Line Checks
The number one annoyance is when performers show up late past their scheduled load-in and soundcheck time. This often forces engineers to wait and hold doors for them, only to spend essential time on a line check instead of a full soundcheck. This leaves FOH engineers concerned about the overall sound quality for the live performance.
Blaming Staff for Obvious Faults
Another common frustration is when performers blame technical staff for issues that are clearly of their own making, such as ineffective gear or faulty equipment. It's surprising to see performers struggling with basic troubleshooting that any competent engineer could handle. Constantly interrupting the timeline and causing delays can be tiring for engineers.
Deliberately Going Off Schedule
Performers sometimes go off schedule, causing delays and disrupting the flow of the entire event. For instance, an opener sometimes eats into a headliner's set time. This not only impacts the headliner's performance but also the overall pacing of the show. Engineers must move quickly between performances, sacrificing their preparedness for each act.
Debuting New Gear and Expecting Quick Solutions
Debuting new equipment and expecting the FOH to figure everything out on the spot is a hallmark of unprofessional behavior. Musicians may not have the time or patience to troubleshoot and dial in their new gear. This can lead to miscalibrations and connection issues that waste valuable time and might damage the performance.
Intentional Damage to Stage Gear
Intentionally damaging stage equipment is another unprofessional action. While accidents can happen, it's disrespectful to assume the workaround is an acceptable fix. This behavior not only impacts the quality of performance but also the relationship between the performer and the technical crew.
Ranting While Being Miced
It's highly unprofessional for artists to start ranting or playing their instruments excessively while being miced up. This can lead to mics being overloaded and screeching, which is frustrating to both the engineer and the audience. Clear and concise instructions and cooperation are expected from all performers during this crucial process.
Managers and Family Members Interfering
Managers or family members, especially parents, should not be discussing audio levels or suggesting gear changes on stage. This is a breach of professional boundaries and can lead to confusion and miscommunication. Clear communication between artists and technical crews is essential for a successful performance. A real manager should address concerns with the performers and not directly with the FOH engineers.
Unreasonable Last-Minute Requests
Introducing large, complex instruments like marimbas or glockenspiels with minimal preparation can be frustrating for FOH engineers. These additions might not fit well with the existing setup and can cause delays. It's important for performers to consider logistics and preparation before bringing unique instruments to a live show.
Not Knowing Own Gear
Lack of familiarity with one's own equipment, such as drummers using samplers or backing tracks, is also a major issue. This can lead to countless setup delays and technical issues. FOH engineers cannot simply assume knowledge, and a bit of preparation in advance would save everyone time and stress.
Bringing Studio Gear to the Stage
Expecting a stage setup to sound like a studio is unrealistic. While some audio engineers can achieve a good sound, a stage is not a studio due to the inherent acoustics and space limitations. Performers should work with the team to find a balanced and acceptable sound that works within the constraints of the venue.
Inciting Misconduct on Stage
Inciting a fight from the stage, especially by inviting the crowd to participate, is generally not productive. Life is too short to start fights, and such actions don't typically leave positive long-term impressions on either the audience or the venue. Removing disruptive behavior ensures a better experience for everyone involved.
Typical Rock Star Behavior
Performers often assume that being a FOH engineer is a temporary position, only working for a few weeks each year. However, FOH engineers work 365 days a year, making their dedication and expertise invaluable. Rock star behavior, characterized by tantrums and tantrums, is not appropriate and can greatly impact the professionalism of a show.
Managing these frustrations requires a clear understanding of the roles and responsibilities involved in a live performance. By respecting the technical crew and their expertise, artists can help ensure a smooth and enjoyable experience for their audiences. Professionalism, respect, and clear communication are key to a successful and entertaining live show.