The Impact of Timing Changes on TV Shows: A Case Study in Network Decisions

Instantly recognizable and beloved television series can suffer from the whims of network scheduling. Changes in broadcast timing can significantly affect a show's success, sometimes leading to unexpected cancellations. We explore how timing changes have affected famous TV shows, providing a comprehensive look at the impact of these decisions on viewers and the entertainment industry.

Timing Changes and their Impact on TV Shows

TV viewers in New Zealand, for instance, were fond of the Syfy game show Face Off, which was once broadcast on Saturday afternoons. When the last couple of seasons moved to a different channel and late evening timeslots, viewers found themselves missing out on the show. This exemplifies a common issue that many television shows face due to network scheduling changes.

Case Studies in Network Decisions

Let's delve into two prominent examples that highlight the consequences of moving shows to different timeslots:

Mork and Mindy (ABC, 1978–82)

When Mork and Mindy aired on Thursdays during its first season, it enjoyed considerable success. However, ABC made the decision to move the show to a Sunday night timeslot to bolster ratings for two new sitcoms that were struggling. When these new shows failed, Mork and Mindy lost half of its audience. The network then attempted to make the show more sophisticated, but these changes did not salvage the situation. ABC eventually returned the show to its Thursday slot, but it was not able to recapture the magic of its first season.

Crazy Like a Fox (CBS, 1984–86)

Its companion show, Crazy Like a Fox, had similar challenges. When paired with Trapper John, M.D. on Sundays, the show maintained solid ratings. However, midway through the second season, the network decided to bring back their Sunday night programming, which negatively affected the ratings of both shows.

Other Decisions That Affect TV Shows

The impact of timing changes extends beyond favorites like Monty Python's Flying Circus, Seinfeld, and Arrested Development. These shows often faced temporary removals due to sporting events or regional opt-outs. Even the esteemed BBC sometimes prioritized sports over comedy, as evidenced by a spoof trailer where Eric Idle advised viewers: "For people who like drama here's sport!"

The regional opt-out strategy for shows like Seinfeld and Arrested Development also contributes to the complications in scheduling. Monty Python's Flying Circus frequently found itself on the losing end of changes in its broadcast times, leading to similar issues. Additionally, On Point of View with Anne Robinson experienced unique scheduling challenges with a game called 'Hunt The Dorrit,' but not due to last-minute scheduling adjustments. Instead, the issue was an adaptation of Charles Dickens's Little Dorrit.

In Conclusion

These case studies demonstrate how timing changes can significantly impact the success and longevity of television shows. While some network decisions can breathe new life into a show, others can lead to its downfall. It's crucial for networks to consider the audience's viewing habits and preferences when making scheduling decisions to ensure the best possible outcomes for all parties involved.