The Behind-the-Scenes Truth: Real or Faked Showman and Marshall Stacks?

For decades, rumors have swirled around the stages of rock and roll: did bands of the '60s and beyond use fake Showman and Marshall amplifier stacks for their iconic looks? In fact, as we delve into the history of these iconic gear, it becomes clear that the story is more nuanced than mere appearances would suggest.

The Amplifier Revolution of the 1960s

The 1960s witnessed an amplifier revolution that transformed the sound and visuals of rock music. Large cabinets, known as "stacks," became synonymous with rock power and stage presence. Names like Showman and Marshall became household brands among musicians, each contributing to the unique sonic identities of their respective bands.

No PA Equipment to Rely On

It's important to note that at that time, much of the live sound was carried by the bands themselves. Public address (PA) systems were far from reliable or standard in many live venues. As a result, many bands did not have access to professional PA equipment that could match the sound quality of their custom stacks. This necessitated the use of additional amplifiers not just for backup but for the sheer volume required to compete in live settings.

Amplifiers as Backups and Volumes

Almost all bands in the '60s did not rely on stage sound engineers or PA systems where available. Instead, they brought their own gear, including backup amplifiers. These extra stacks served multiple purposes:

Power Reinforcement: The volume and power output required for large crowds and outdoors gigs necessitated the use of multiple amplifiers to achieve the desired sound levels without distortion. Reliability: Amp failures were common due to the harsh conditions of live performances and the high demands placed on the gear. Having backup stacks meant that performances could continue without interruption. Visual Impact: While stacks were often used for their powerful sound, they were also a visual statement. These large, iconic amplifiers contributed to the overall image and identity of the band. Aesthetics: For many bands, the aesthetic of a well-stacked rig was as integral as the sound it produced. Showman and Marshall stacks were a symbol of power and intensity, adding to the overall stage presence and concert experience.

The Reality of Stage Setup and Amplifier Usage

Stage setup for bands in the '60s was not a monolithic affair. With varying levels of professionalism and budget, different bands approached their setup in different ways. While some may have used smaller, more reliable stacks, others opted for the iconic, larger models that were both powerful and visually striking. Thus, the use of Showman and Marshall stacks was often a blend of functionality and style.

Conclusion: A Blend of Functional and Aesthetic Needs

In conclusion, the rumors of fake stacks being used for their visuals while real stacks handled the sound are largely exaggerated. In the context of the 1960s and beyond, these large amplifiers served real needs in terms of sound and stage presence. While backup and reliability were crucial factors, their prominence also played a role in creating the iconic live performances and visual identities that remain so beloved in the realm of rock and roll.