Nick Drake: The Master of Melancholic Acoustic Guitar

How Does Nick Drake Rate Among Guitarists?

From folk and jazz to classical, Nick Drake's unique guitar work continues to captivate musicians and listeners alike.

Introduction: Nick Drake's Unique Style

Nick Drake is often recognized as one of the most influential and talented guitarists of all time, particularly for his distinctive fingerpicking technique and use of alternate tunings. While not as widely recognized as some mainstream guitarists, he has garnered a dedicated following and significant respect within music circles.

Key Points about Nick Drakes Guitar Work

Fingerpicking Technique

Drake’s fingerstyle technique is unique, blending elements of folk jazz and classical music. His ability to create intricate melodies and harmonies with a simple guitar is widely praised. This technique, often intricate and emotive, sets him apart from many other guitarists. For example, if you consider artists like Steve Howe of Yes, who composed and played classics such as "Mood for a Day" and "Clap," Drake's fingerstyle is comparable in complexity and beauty.

Alternate Tunings

Drake frequently used alternate tunings, which contributed to his unique sound. This allowed for more expressive chord voicings, giving his music an otherworldly quality that resonates deeply with listeners. For instance, in the piece "Three Hours," Drake's use of a half-step down tuning required extensive practice and precision, demonstrating his mastery over the instrument.

Influence on Other Artists

Many contemporary musicians have cited Drake as an inspiration. Notable artists such as Robert Smith of The Cure, Jeff Buckley, and even modern singer-songwriters have been influenced by his work. Drake's playing style has encouraged a generation of guitarists to explore more intricate and emotive techniques.

Critical Acclaim

While he did not achieve commercial success during his lifetime, his legacy has seen a resurgence in popularity, particularly with the rise of indie folk and acoustic music. The release of his posthumous album Legacy has further cemented his standing in the world of guitar music. His songs have been covered by various artists, further solidifying his place in music history.

Personal Experience: A Concert in Central Park

Having meticulously learned 90 percent of Drake's catalog for a concert in Central Park, I found that his skill and dedication were unparalleled. The unique fingerpicking technique and alternate tunings required precise execution. For instance, practicing "Three Hours" with a half-step tuning took me three days of intensive study.

Drake used multiple guitars, each tuned differently, for the concert. Gibson even loaned six guitars, each tuned a different way, including the traditional E-A-D-G-B-E, but with every note flatted a half-step. Learning Drake's intricate guitar solos was both challenging and rewarding. Any guitar player taking up a Nick Drake song, such as "Fruit Tree," will face a rigorous challenge as they attempt to decipher his beautiful chord progressions.

Respect and Admiration

Drake's music is characterized by its intricate and precise nature, yet it never feels busy or show-offy. He accomplished this by creating aural tapestries on a six-string guitar, a technique he mastered without any "lead guitar" parts in his entire catalog. This unique approach to guitar playing clearly sets him apart and garners him the highest respect and admiration.

Having the late Drake arranger/collaborator Robert Kirby in my house for the four days leading up to the show was instrumental. We would often ask each other, “Does that sound right?” Drake's meticulous attention to detail is evident in every note he played.

In conclusion, while Nick Drake may not be as universally known as some other guitar legends, his contributions to guitar playing and songwriting have left a lasting impact. His artistry is celebrated particularly within folk and acoustic music circles, and his influence continues to resonate today.

Photographs: This photo shows the author (left) performing with Julie James (middle) and Robert Kirby (right) in Central Park on July 3, 2005.