My Unfavorable Stances on Some K-pop Groups: Insights and Reasons
If you’re a dedicated K-pop fan, you likely have your favorites, as do I: BTS, BLACKPINK, and Stray Kids. However, there are a few K-pop groups I have reservations about. In sharing these opinions, I wish to emphasize the importance of constructive feedback and respect for the K-pop community.
SEVENTEEN: A Group with Complexities
SEVENTEEN, with 13 members, stands out as a large group, which can make it challenging to keep track of each member. They have a distinct identity, yet their international appeal could certainly be enhanced. Their popularity mostly remains in Korea and Japan, whereas groups like BTS and BLACKPINK have gained significant international recognition. Despite their success on charts, their social media presence is relatively smaller, possibly due to their large roster and less globalized promotion efforts.
Twice: The Declining Hype
Twice, with its fan-favorite members like Dahyun, Nayeon, and Tzuyu, has seen a decline in its popularity, especially in recent years. The group has a unique concept that resonates well with its core audience, but the proliferation of cuter and more girly aesthetics can sometimes overshadow their musical prowess. Their international appeal seems to be waning as the JYP Entertainment label shifts focus elsewhere.
ITZY: The Demise of Hype
ITZY, a group I was once deeply invested in, has seen a gradual decline in quality. From the end of the WANNABE era, the quality of their music and promotions has notably deteriorated. Their recent comeback with the album GOLD is a typical example, showcasing a formulaic and uninspired approach. I believe JYP Entertainment is aiming to reignite their group, but ITZY’s talent and potential seem to be buried under the monotony.
Others: Further Reflections
Other K-pop groups also hold a place in my unaffectionate list. BTS’s Army might have driven me away, and the simpler choreographies of BLACKPINK, while talented, can sometimes feel too straightforward. NCT faces the challenge of a large membership, making it hard to connect with all members equally. On the other hand, groups like MOMOLAND, WINNER, and 4L have faced issues ranging from poor choreography to controversial themes overshadowing their musical potential.
It’s clear that K-pop, like any other art form, has its peaks and valleys. Evidence of this can be seen through the evolution of groups like ITZY and the persistent appeal of groups like BTS and BLACKPINK. This journey of change and adaptation is the essence of K-pop's dynamic nature.