How to Unleash the Best in Actors: Insights from Legendary Directors
Directors play a crucial role in bringing out the best performances from actors. Whether it's a bona fide perfectionist like William Wyler or a filmmaker willing to push boundaries like William Friedkin, there are key techniques and philosophies that set the world's most celebrated directors apart. This article explores the methods used by legendary directors to harness the power of actors, drawing from the masterful works of William Wyler and the unique approach of William Friedkin.
William Wyler: The Perfectionist
William Wyler, the renowned American film director and producer, is a testament to the power of meticulous direction. Born in 1902 and deceased in 1981, Wyler won the Academy Award for Best Director three times, for "Mrs. Miniver" in 1942, "The Best Years of Our Lives" in 1946, and "Ben-Hur" in 1959. His dedication to perfection is highlighted by his penchant for numerous takes, earning him the nickname "20-Take Willy."
Wyler's commitment to flawless execution is evident in the personal experiences of his cast. Eddie Albert, a longtime character actor, describes a scene from "Roman Holiday," where Wyler's insistence on repeat takes left Albert feeling both physically and mentally exhausted. Despite the brutal conditions, Albert recognized the subtle differences Wyler was aiming for, as evidenced by his line: "All right! We’re getting there! But I think we’re losing our enthusiasm."
Wyler's influence extended beyond just groundbreaking films; he discovered talented actors and propelled their careers. For instance, Audrey Hepburn made her debut in "Roman Holiday" in 1953, thanks to Wyler's vision. Barbra Streisand also benefited from Wyler's mentorship, starring in her debut film "Funny Girl" in 1968. Bette Davis, another star under Wyler's directing, received three Oscar nominations and won for her performance in "Jezebel" in 1938.
William Friedkin: Innovation in Filmmaking
While Wyler's approach epitomizes the meticulous direction necessary for perfection, directors like William Friedkin demonstrate the breadth of creativity and psychological prowess required in filmmaking. Friedkin's unorthodox methods during the filming of The Exorcist in 1972 showcase his innovative and sometimes controversial techniques.
One notable scene involved Father Karras (Jason Miller) being startled by a phone call. Friedkin was unsatisfied with Miller's initial reaction to a real phone, so he repurposed the scene. Without warning Miller, Friedkin re-shot the scene using a shotgun blast, fired close to Miller. This daring method highlighted Friedkin's willingness to push creative limits and make actors experience the intensity of the scene as intended. Miller's subsequent criticism of the director's methods underscores the alternative approaches directors can take to elicit the desired performance.
The Key Techniques Behind Great Directing
Ultimately, what sets these directors apart is their commitment to the craft, their ability to connect with their actors, and their willingness to innovate. They inspire a sense of dedication and passion that can be seen in the enduring impact of their films and the careers of the actors they work with.
Conclusion
Directors like William Wyler and William Friedkin have proven that the best performances come through a combination of meticulous preparation, heartfelt connection with actors, and innovative techniques. Their legacy continues to influence new generations of directors and filmmakers, reminding us of the transformative power of skilled direction in cinema.