Great Guitarists Who Challenge Traditional Techniques
When it comes to guitar playing, particularly in classical guitar, there are often strict rules and techniques that must be followed. However, is there any truth to the notion that those who are considered great guitarists do not hold or play their instruments the correct way?
The "Right" Way vs. Greatness
Outside of specific styles like classical guitar, the idea of the "right" way to play can be quite nuanced. For instance, a bassist in my band who is also learning classical guitar observed that my thumb is often not positioned in the correct manner, suggesting that I might not be playing the "right" way.
Was my teacher ineffective, did I forget the proper technique, or was there an accepted way at the time I took lessons in the late 1960s? My answer is none of the above. I believe that the concept of the "right" way to play is often overemphasized, and that some great guitarists do not hold or play their instruments in the traditional manner.
Complexity and Flexibility in Guitar Playing
Many classical guitar techniques, such as proper thumb placement and hand arching, are often necessary for certain pieces of music, particularly those that require intricate fingerings. However, these techniques may not always be applicable in other genres, such as jazz or more complex styles that demand a different approach.
For example, when playing jazz with fingerings that are more complex or when creating walking bass lines on the E string that differ from the chord, the traditional techniques may not be as effective. Therefore, many great guitarists may choose to deviate from these classical techniques to achieve the best sound.
Techniques and Personal Limits
I was taught the "right" way, but I was also taught to be flexible and not let that get in the way of playing a piece of music. This applies not just to my playing but to the way I hold the guitar when seated, which is particularly challenging due to my short arms and fingers. I need to be able to reach the chords on a long scale electric guitar, which has a longer neck compared to a short scale wide neck nylon string guitar.
Moreover, my limits include short fingers, which makes it difficult to play certain forms that require all five fingers. This means that I often have to adapt my technique to suit my personal limitations, which can result in a different way of holding and playing the guitar.
Form vs. Results
It's important to note that while form is crucial in classical guitar, it is not necessarily as important in other genres. In these genres, what really matters is the performance and the results. In my experience, I have never had an audience member come up to me and say that my guitar playing was ruined because my technique was not "correct." The audience responds to the music and the performance, not the technique alone.
Unconventional Techniques and Employee Dynamics
Unconventional techniques and approaches to playing the guitar can be highly beneficial. Much like in the business world, where some of the best employees are those who know when to push the boundaries and use what works, great guitarists often break the rules to achieve the desired sound. While theory is essential and very useful, it should not get in the way of achieving good results.
Just as in the workplace, where creativity and flexibility are valued, in the world of music, unconventional techniques can lead to unique and innovative playing styles. This approach can often lead to greater success and recognition, as it allows for the exploration of new sounds and techniques that may not be possible through traditional methods.
In conclusion, great guitarists are not necessarily those who adhere strictly to classical techniques. Instead, they are those who can adapt their playing style to suit their personal limitations and the demands of the music they create. By being flexible and open to new techniques, great guitarists can achieve a level of greatness that goes beyond the strict adherence to traditional methods.