Exploring the Differences Between the 1980 and 1989 Versions of Benny Mardones' Iconic Song

When Benny Mardones rerecorded his hit song for Curb Records in 1989, the changes were significant and starkly contrasted with his original version. This article delves into the differences between the 1980 and 1989 recordings, focusing on the music, sound quality, and the impact on the listener's experience.

Non-hit 1989 Rerecording

Curb Records, ever eager to capitalize on opportunities, must have seen potential in reissuing Benny Mardones' song, leading to a 1989 version that was a far cry from the original. The 1989 remake is notably characterized by its late 1980s production style, featuring the prominent drum sounds and electronic reverb. This version was, unfortunately, not a hit and can only be found on Curb releases and Razor Ties’ Easy Rock compilation from 2001.

Original 1980 Version

The original version of Benny Mardones' hit first appeared on the single-artist CD issue of his album Never Run Never Hide in 1980. Polydor was responsible for the release, and while my personal collection does not include this disc, it is generally regarded as having excellent sound quality.

Another notable source of the original version is EMIs Retro Lunchbox Gooey Love Songs, a compilation from 1997. While this album contains excellent sound, it is somewhat redundant as many other sources provide similar quality. For instance, Rhino's 1995 Radio Daze Vol. 3 offers a slightly longer version, running 4:31 compared to 4:29, and maintains a very good sound quality.

Comparing Sound Quality and Versions

While Rhino’s version is often touted for its longer run time and slightly different sound quality, it is ultimately a matter of personal preference. Other sources, such as Time-Life’s 2-CD compilations, Body Talk Vol. 13 and Classic Soft Rock Vol. 3, also offer excellent sound, though the specific nuances in sound quality can vary.

Conclusion

The differences between the 1980 and 1989 recordings of Benny Mardones' hit song are not just about the era of production but also the listener's experience. The original 1980 version, characterized by its fuller sound and better production, offers a richer and more engaging experience compared to its 1989 remake, which leans more towards the electronic and less musically rich production of the late 1980s.

Keywords: Benny Mardones, 1980-1989 Versions, Rerecording, Sound Quality