Conflict Between Writer Jeyakanthan and MGR: Insights into Tamil Politics and Cinema
Jayakanthan and M.G. Ramachandran (MGR) were two influential figures in Tamil Nadu, each representing distinct ideologies. Jayakanthan, a celebrated writer and intellectual, was a prominent figure of the left-wing, often criticizing the political establishment. His well-known works, such as winning the Sahithya academy award and the Gyanpith award, solidified his place in literary history. On the other hand, MGR was a renowned Tamil film actor and politician, known for his activism in the Dravida Munnetra Kazhagam (DMK) party and later founding the All India Anna Dravida Munnetra Kazhagam (AIADMK).
A notable incident during the 1970s highlighted the conflict between Jeyakanthan and MGR. Jeyakanthan criticized MGR's portrayal of social issues in films, arguing that MGR's works often promoted a populist image that did not align with the realities faced by marginalized communities. This critique was part of a broader debate about the role of cinema in society and the responsibilities of filmmakers and actors.
Political and Cinematic Tensions
As MGR rose to power, using cinema as a platform for his political agenda, it created tensions with intellectuals and artists who felt that he was undermining nuanced discussions of social issues. This friction between Jeyakanthan and MGR symbolized the broader ideological divides in Tamil Nadu during that period, particularly between traditional leftist thought and the emerging populist politics of the time. Jeyakanthan's reputation as a lion among intellectuals further added to the theatricality of this debate.
The Jeyakanthan-MGR Encounter
Despite the conflict, there is an anecdote that suggests a more lighthearted side to their relationship. One day, MGR wanted to meet Jayakanthan but instead of going to his house as expected, Jayakanthan replied with a firm stance, saying, 'MGR should come to my house.'" This lighthearted response, often humorously described as Jayakanthan being a 'lion', exemplifies the dynamic between the two.
The Novel "Cinemavukku Pona Sithaalu"
Jayakanthan's novel, "Cinemavukku Pona Sithaalu," further exemplifies the tension between the two. The novel critically examined MGR's influence on lower-income women. It narrated how the moral values of women degraded due to MGR's influence, even suggesting instances where women might think of having sex with MGR when they are with their husbands. Such narratives agitated MGR's fans, amplifying the conflict between the two.
However, it is worth noting that MGR could not significantly act against Jayakanthan's novel as it was protected under free speech. This incident highlights the complexities of political and artistic expressions in Tamil Nadu, where personal and ideological battles often intersected.
No Permanent Conflict
Contrary to popular belief, the conflict between Jayakanthan and MGR was not permanent. While Jeyakanthan attacked MGR in political meetings and through his writings, their relationship was often marked by a mutual respect. For instance, MGR wrote a novel titled "Cinemavukku Pona Sithaalu," which Jayakanthan disapproved of. However, Jayakanthan, known for his strong stance, didn't find the novel problematic enough to incite further conflict.
From a broader perspective, the relationship between Jayakanthan and MGR serves as a microcosm of the political and cultural dynamics in Tamil Nadu during that era. Their conflict reflects a deeper divide between left-wing ideals and populist politics, encapsulated in the intersection of cinema and politics in the state.