Beyond Star Wars: Harrison Ford in 'The Devil's Own'
When discussing the illustrious career of Harrison Ford, excluding his iconic role in Star Wars is often seen as a gross oversight. However, Ford himself refers to the Star Wars duology as a 'blot on his CV' and wishes to move beyond the series. But if we delve deeper into his filmography, one particular movie stands out: The Devil's Own. This lesser-known yet profound film, released in 1997, offers a compelling narrative that resonates with viewers long after the credits roll.
From Disappointment to Dialogue
Unlike The Devil's Own, which was poorly received at the time of its release, the film contains no shocking plot twists or surprises, but rather a sobering exploration of morality and human relationships. Director Renny Harlin, known for action films, here pivots to a dramatic role, much to questioning from critics who expected a more robust and thrilling narrative.
Brad Pitt plays Frankie McGuire, a character who, like the audience, can almost anticipate the dire consequences of Tom O'Meara's (Harrison Ford) actions. The film's opening scenes set the tone, with gritty elegance in its aesthetic. James Horner's score perfectly captures the film's essence, blending seamlessly with the breathtaking landscapes of coastal Ireland and the bustling streets of New York City. This visual and auditory symmetry underscores the film's themes of regret and redemption.
Complex Morality and Father-Son Dynamics
At its core, The Devil's Own is a story about the complexities of family and morality. Ford's character, Tom O'Meara, is a marine biologist who, despite his intentions to prevent violence, finds himself caught in a web of deceit and corruption. When O'Meara is naively told by another character, Rory Devaney (played by Brad Pitt), that 'the killings got to stop,' the response is a chilling, ambiguous answer: 'Then you'll have to kill to stop it.' This exchanges highlight the inescapable moral quandaries faced by characters who, even with good intentions, are thrust into untenable situations.
Director Harlin intentionally crafted The Devil's Own without hidden plot twists, making it a contemplative watch rather than an action-packed diversion. The film is rich with philosophical undercurrents that challenge viewers to reflect on their own beliefs and the ethical dilemmas they may face.
Beyond the Plot Holes: A Tale of Sentiment and Ethics
Some critics have focused on the film's supposed plot holes, which, upon closer inspection, appear to be more a matter of misinterpretation. For instance, the depiction of the fishing trawler that Pitt's character uses to travel to Ireland is criticized for being unrealistic. However, a close examination reveals that the script details the boat's condition to satisfy logistics and realism. Critics who lambaste the film for perceived ignorance might be projecting their own lack of knowledge back onto the film.
The supposed 'stupid plot holes' in The Devil's Own are used as a crutch to devalue a film that grapples with profound ethical questions. The critics, instead of addressing the movie's intrinsic value, opt for a dismissive approach. This backfires, as it brings attention to the film's core message: the persistent struggle between sentiment and ethical responsibility.
Tom O'Meara and Rory Devaney's father/son relationship is one of the central themes of the film. While Brad Pitt's character initially views Ford's family with a certain detachment, over the course of the story, a bond develops. This relationship mirrors the broader themes of moral conflict and the sacrifices made in the name of noble causes.
Emotional Impact and Relatability
While the big-screen hits like Raiders of the Lost Ark offer exhilarating adventure, The Devil's Own provides a different kind of satisfaction. The film's emotional weight is often likened to listening to a profoundly sad yet beautiful song. The narrative's mature and sorrowful tone resonates with audiences who can relate to the weight of responsibility, the complexity of moral decisions, and the profound impact these choices have on personal relationships.
Harrison Ford's nuanced performance in The Devil's Own is a testament to his range as an actor. Unlike the loud, action-driven roles he's known for, here he offers a performances layered with subtlety and depth. His portrayal of Tom O'Meara is a study in the weary yet morally principled individual, grappling with the world's injustices.
Conclusion
In a world where action and spectacle often overshadow thoughtful narratives, The Devil's Own stands out as a rare gem. Harrison Ford, much like the film itself, refuses to be pigeonholed into a single genre or role. The Devil's Own invites viewers to reflect on the moral complexities of the human condition, all the while delivering a poignant and deeply moving experience. If you're looking for a film that explores the nuances of fatherhood, friendship, and ethical decision-making, then The Devil's Own is an excellent choice.