A. R. Rahman: The Controversial Allegations of Song Plagiarism
The renowned Indian composer A. R. Rahman has faced numerous allegations of song plagiarism throughout his illustrious career. These claims have sparked heated debates and discussions within the music industry, often blurring the lines between genuine inspiration and outright copying. This article explores some of the most prominent instances of alleged plagiarism involving Rahman, examining the contexts and legal implications.
Debates Surrounding Alleged Plagiarism
A. R. Rahman, known for his innovative and diverse approach to music, has been accused of borrowing from other artists and composing songs that bear striking resemblances to pre-existing works. One notable instance occurred in 2009 with the song Delhi 6 from the movie of the same name, which some listeners and critics believe bears similarities to another composer's work Bhool Bhulaiyaa from 2007. While such allegations exist, the line between inspiration and direct copying remains a subject of debate as Rahman has often defended his work as original.
Case Studies of Alleged Plagiarism
The following examples illustrate instances where A. R. Rahman's compositions have been accused of plagiarism:
Tamil song by A.R.Rahman “Telephone Manipol” from the 1996 movie Indian
The song "Telephone Manipol" is claimed to have been influenced by Ace of Base's "All That She Wants," which was released in 1992. This allegation stems from the similarity in the intro riff and the background music. However, Rahman has received mixed opinions on whether this is purely inspiration or a direct copy.
Music from Muqabla
The end music from the popular song Muqabla is said to be copied from the song "Mata OO aa eh" from Dr. Alban and begins with an introductory riff reminiscent of Enigma's song. This claim highlights the challenges in distinguishing between homage and direct copying.
Specific Examples of Alleged Plagiarism
The following are more specific instances where A. R. Rahman's work has been accused of borrowing from international and Indian composers:
1993 song "Babya oh baby" by Sajjad Ali for the song "Chikkupukku railey" in Gentleman (1994): Rahman’s composition is said to have copied elements from Sajjad Ali’s work. "Nazrein Milana" prelude from Jaane Tu Yaa Jaane Naa and "Bum Bum Bole" prelude from Taare Zameen Par by Shankar-Ehsaan-Loy: The preludes are noted for their similarity. "Turba Hui Badi Sad Hai" from Tamasha and "Bedardi Raja" from Delhi Belly by Ram Sampath: These songs are said to bear a striking resemblance.Further Examples of Alleged Plagiarism
Other songs that have sparked controversy include:
"Parabola" by Tool and "Aaromale" by A. R. Rahman, where the intro riffs are claimed to be similar. "Chiggy Wiggy" by Blue is said to borrow background music from "Baby It’s You" by JoJo feat. Bow Wow in 2004. "Mangta Hai Kya" from Rangeela and "Devil Inside" by INXS in 1997: The background music is noted for its similarity.These allegations have drawn attention to the fine line between homage and direct copying, especially in the complex and diverse landscape of music composition.